Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources.
Shape dynamics and apply saturation with Compressor and Drive effects create space and generate rhythmic echoes with Reverb and Delay and thicken and widen the sound with Chorus and Phaser. Twin 3 introduces a supercharged new FX section, comprising six processing modules for transforming and polishing signals. Twin 3 presents a more Zen landscape that you populate. For example, Twin 2 was visually a bit overwhelming because all the oscillators, filters and so on were always visible even if they weren’t being used. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and Cutoff/Peak Offset knobs opening up even more sound design possibilities. This brings Twin 3 much more in line with FabFilter’s mixing plugins from a user interface point of view, which is a good thing. Completely overhauled and featuring analog-modeled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Polyphony has been given a boost, too, with an upgraded maximum of 64 voices - double the 32 of Twin 2 - and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note.
It all starts at the oscillators, and Twin 3 adds another one for four total. FabFilter Twin 2 is equipped with the best possible oscillators, award-winning filters and an innovative interface that makes sound design a breeze Rather use presets Twin 2 comes with more than 1600 quality sounds that you can use right away.
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